Jean-Louis Forain (1852–1931)

• Seated Woman, Head in Right Hand
• Tight-Rope Walker
• The Bouquet
• The Toff with a Bouquet
• Laffitte Street
• Sketches of a Framed Riot Scene and of a Man (recto); Woman with a Bonnet (verso)
• In the Wings
• The Orchestra
• Dancers in their Dressing Room
• I Don't Dare Take Them Down...It Would Hurt Him Too Much
• The Dead Girl
• At the Theater
• The Arbor
• The Lawyer Pursued
• The Clothing of the Prisoner of war
• The Clothing of the Prisoner of War
• Legal Advice
• Dancer's Dressing Room, Second Plate
• Lourdes, 1914, 25th International Eucharistic Congress
• Lourdes, 1914, 25th International Eucharistic Congress
• Lourdes, 1914, 25th International Eucharistic Congress
• Lourdes, 1914, 25th International Eucharistic Congress
• The Good Fire - Remember those who are cold
• 1st Exhibition of the Humorists
• 1st Exhibition of the Humorists (2nd Version)
• 1st Exhibition of the Humorists
• 2nd Exhibition of the Humorists
• To Serve
• To Serve
• Fan for the Gavarni Ball
• Ambroise Vollard, Four Sketches
• The Toff with a Bouquet
• The Two Dandies
• The Departure of the star
• The Café of the New Athens
• To Bullier's
• Rejected Frontispiece for Marthe
• Frontispiece for Marthe
• Invitation from the newspaper "Le Monde Parisien"
• Frontispiece from Croquis Parisiens
• The Foiles-Bergère, First Plate
• The Walker
• Knotting the Cravat
• Brothel
• Tête-à-tête
• The White Slave Trade
• In the Corridors of the Court House
• Lower Box at the Theater
• At the Theater
• The Private Dining Room, Fifth Plate
• Seated Woman, Head in Right Hand
• Seated Woman, Head in Right Hand
• Strolling Woman with Umbrella
• At the Bailiff's
• A Seizure
• Breakfast (vertical plate)
• Forain, Lithographer
• At an Evening Party
• Instructions for the Day
• Portrait of Renoir, Second Plate
• Portrait of Renoir, Third Plate
• Portrait of Renoir, Fourth Plate
• Cleared Out
• Private Dining Room Scene (horizontal plate)
• In the Cloakroom
• The Dancer's Dressing Room, First Plate
• In Greece
• Portrait of Vollard, Seated
• Theater Program for Une Journee Parlementaire
• Study of a Nude Woman, from Behind
• The Good Fire - Remember those who are cold
• The Clothing of the Prisoner of War
• At the Restaurant
• The Consent
• "I don't dare take them down yet...it would hurt him too much"
• The Massage With Coarse Hair Glove, Wash and Line Plate
• Christ Stripped of His Clothes
• The Lawyer Abused
• Kissing the Flag
• Recess of the Hearing
• The Reporter
• Sketch of a Woman
• Croquis de femme en buste (Sketch of a Woman in Half-Length)
• Le bouquet (The Bouquet)
• Danseuses dans leur loge (Dancers in Their Dressing Room)
• Le café de la Nouvelle Athènes (The Cafe of the New Athens)
• Le bar des Folies-Bergère (The Bar at the Folies-Bergère)
• A Bullier (To Bullier's)
• A Bullier (To Bullier's)
• Les Folies-Bergère (planche refusée, 2e planche) (The Folies Bergère) (refused plate, second plate)
• L'ambulante au parapluie (Walker with an Umbrella)
• Le Traite des blanches (The White Slave Trade)
• Les couloirs du Palais (The Corridors of the Palace of Justice)
• Témoins à l'audience (1ère planche) (Evidence at the Hearing) (first plate)
• Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate)
• Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate)
• Danseuse et Maître d'hôtel (Dancer and Headwaiter)
• Après la saisie (After the Seizure)
• Après la saisie (After the Seizure)
• Fille-mère (1ère planche) (Unwed Mother) (first plate)
• Le gros cigare (The Big Cigar)
• Baignoire au théatre (Lower Box at the Theater)
• Femme nue, assise sur son lit, de face (Nude Woman, Seated on Her Bed, Front View)
• Le retour de l'enfant prodigue (3e planche) (The Return of the Prodigal Son) (third plate)
• Le bon samaritain (The Good Samaritan)
• La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate)
• La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate)
• La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate)
• La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate)
• Le prévenu et l'enfant (The Prisoner and the Child)
• Le prévenu et l'enfant (The Prisoner and the Child)
• L'avocat parlant au prévenu (1ère planche) (The Lawyer Talking to the Prisoner) (first plate)
• L'avocat parlant au prévenu (2e planche) (The Lawyer Talking to the Prisoner) (second plate)
• Le repos du modèle (1ère planche) (The Model's Rest) (first plate)
• Le repos du modèle (2e planche) (The Model's Rest) (second plate)
• Le calvaire (1ère planche) (Calvary) (first plate)
• Le calvaire (1ère planche) (Calvary) (first plate)
• Le calvaire (2e planche) (Calvary) (second plate)
• Le calvaire (2e planche) (Calvary) (second plate)
• La route d'Emmaüs (1ère planche) (The Road to Emmaus) (first plate)
• Femme mettant son bas (Woman Putting On Her Stockings)
• En cabinet particulier (1ère planche) (In a Private Room) (first plate)
• En cabinet particulier (1ère planche) (In a Private Room) (first plate)
• Sur le lit (On the Bed)
• Sur le lit (On the Bed)
• Croquis de femme nue, la tête contre l'oreiller (1ère plance) (Sketch of a Nude Woman, Her Head Against a Pillow) (1st plate)
• A la table de jeu (1ère planche) (At the Gambling Table) (first plate)
• A la table de jeu (1ère planche) (At the Gambling Table) (first plate)
• A la table de jeu (2e planche) (At the Gambling Table) (second plate)
• La madone et les enfants (The Madonna and the Children)
• Paysage des environs de Versailles (Landscape in the Neighborhood of Versailles)
• La route de Rocquencourt (The Road to Rocquencourt)
• Avocat compulsant un dossier (Lawyer Going through a Brief)
• Avocat compulsant un dossier (Lawyer Going through a Brief)
• Un caboulet à montmartre (A Dive at Montmartre)
• Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes)
• Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes)
• Le Christ aux outrages (The Mocking of Christ)
• Après l'apparition (2e planche) (After the Vision) (second plate)
• Après l'apparition (2e planche) (After the Vision) (second plate)
• Le repos du modèle (4e planche) (The Model's Rest) (fourth plate)
• Dans le parc de Versailles (1ère planche) (In the Park at Versailles) (first plate)
• Femme assise de profil (Woman Seated in Profile)
• La fraction du pain (The Breaking of the Bread)
• Avant le repas à Emmaus (1ère planche) (Before the Supper at Emmaus) (first plate)
• Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate)
• Le repas à Emmaus (3e planche) (The Supper at Emmaus) (third plate)
• La rencontre sous la voute (1ère planche) (The Meeting under the Arch) (first plate)
• La rencontre sous la voute (2e planche) (The Meeting under the Arch) (second plate)
• La rencontre sous la voute (3e planche) (The Meeting under the Arch) (third plate)
• Femme nue passant sa chemise (Nude Woman Taking Off Her Chemise)
• Femme nue vue de dos (Nude Woman Seen from the Back)
• En cabinet particulier (3e planche) (In a Private Room) (third plate)
• Evanouissement à l'audience (Fainting at the Hearing)
• Le Christ portant sa croix (4e planche) (Christ Carrying the Cross) (fourth plate)
• C'est fini!...(grande planche) (It is Finished!...) (large plate)
• Pietà (1ère planche) (Pietà) (first plate)
• Pietà (3e planche) (Pietà) (third plate)
• Pietà (3e planche) (Pietà) (third plate)
• Le femme adultère (3e planche) (The Adulteress) (third plate)
• La repos en Egypte (The Rest in Egypt)
• Lourdes, la miraculée (2e planche) (Lourdes, the Miracle) (second plate)
• Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate)
• Le départ de l'enfant prodigue (1ère planche, en hauteur) (The Departure of the Prodigal Son) (first plate, vertical)
• Le Christ portant sa croix (5e planche) (Christ Carrying the Cross) (fifth plate)
• Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed)
• Les notables (petite planche) (The Notables) (small plate)
• Les notables (grande planche) (The Notables) (large plate)
• La route d'Emmaüs (2e planche) (The Road to Emmaus) (second plate)
• The Miracle before the Blessed Sacrament (fourth plate)
• Le repos en Egypte (The Rest in Egypt)
• Le retour au foyer (The Return Home)
• Portrait de Forain (Portrait of Forain)
• Forain gravant (1ère planche) (Forain Etching) (first plate)
• J.L. Forain
• Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed)
• Déclaration d'amour (Declaration of Love)
• Le Christ portant sa croix (7e planche) (Christ Carrying the Cross) (seventh plate)
• Lourdes, la miraculée (1ère planche) (Lourdes, the Miracle) (first plate)
• Le miraculé devant l'ostensoir (4e planche) (The Miracle before the Blessed Sacrament) (fourth plate)
• Pèlerins d'Emmaüs (Pilgrims at Emmaus)
• Au restaurant (At the Restaurant)
• Danseuse rattachant son chausson (Dancer Tying Her Slipper)
• Une saisie (A Seizure)
• Rue Laffitte (Laffitte Street)
• "J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much.")
• a) Au théâtre (At the Theatre) (recto); (b) Untitled (verso)
• Chez l'huissier (At the Bailiff's)
• Le cabinet particulier (1ère planche) (The Private Room) (first plate)
• Le cabinet particulier (3e planche) (The Private Room) (third plate)
• Le cabinet particulier (4e planche) (The Private Room) (fourth plate)
• Le cabinet particulier (5e planche) (The Private Room) (fifth plate)
• a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso)
• La loge de la danseuse (2e planche) (The Dancer's Dressing Room) (second plate)
• La friction au gant de crin (planche au lavis et au trait) (The Massage with Coarse Hair Glove) (Wash and Line plate)
• Le petit déjeuner (planche en largeur) (Breakfast) (horizontal plate)
• Trois dessins sur une feuille (Three Drawings on a Sheet)
• Femme nue, s'essuyant les pieds (planche en hauteur) (Nude Woman Drying Her Feet) (vertical plate)
• Femme à sa toilette avec sa femme de chambre (2e planche en largeur) (Woman at Her Toilette with Her Maid) (second horizontal plate)
• Dans la salle de bains (In the Bathroom)
• En soirée (At an Evening Party)
• Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate with wash)
• L'audience (3e planche) (The Hearing) (third plate)
• Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate)
• Le bain (planche en hauteur) (The Bath) (vertical plate)
• En Grèce (In Greece)
• a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso)
• Femme assise, la tête dans la main droite (Seated Woman with Her Head Resting on Her Right Hand)
• Les instructions pour la journée (The Instructions for the Day)
• Les instructions pour la journée (The Instructions for the Day)
• Danseuse accotée contre un portant (avec des figurants) (Dancer Leaning against an Upright (with extras))
• Portrait de Renoir (1ère planche) (Portrait of Renoir) (first plate)
• Portrait de Renoir (2e planche) (Portrait of Renoir) (second plate)
• Portrait de Renoir (3e planche) (Portrait of Renoir) (third plate)
• Portrait de Renoir (4e planche) (Portrait of Renoir) (fourth plate)
• Le colporteur juif (The Jewish Peddler)
• Eventail (pour le bal Gavarni) (Fan (for the Gavarni Ball))
• Lourdes, l'imploration devant la Grotte (4e planche) (Lourdes, Imploring before the Grotto) (fourth plate)
• Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate)
• Un tableau de papa! (1ère planche) (A Painting of Daddy's!) (first plate)
• Scène d'audience (les deux avocats) (Scene of a Hearing (The Two Lawyers))
• L'Allemand expulsé (The German Expelled)
• A la table de jeu (At the Gambling Table)
• Le decavé (Cleared Out)
• Etude de femme nue, les bras abaissés (Study of a Nude Woman, with Lowered Arms)
• Etude de femme nue, les mains croisées au-dessous de la tête (Study of a Nude Woman, Her Hands Crossed behind Her Head)
• Etude de femme assise, en buste de profil (Study of a Seated Woman, Half-Length in Profile)
• Etude de femme, en buste de face (Study of a Woman, Half-Length Facing Front)
• Etude de femme assise (Study of a Seated Woman)
• Etude de femme assise (Study of a Seated Woman)
• Scène de cabinet particulier (planche en hauteur) (Scene in a Private Room) (vertical plate)
• Salle de jeu (Gambling Room)
• Salle de jeu (Gambling Room)
• Portrait d'Ambroise Vollard (Portrait of Ambroise Vollard)
• Avocat parlant à sa cliente (Lawyer Talking to His Client)
• Suspension d'audience (Recess of the Hearing)
• L'avocat invectivé (The Lawyer Abused)
• Scène de cabinet particulier (planche en largeur) (Scene in a Private Room) (horizontal plate)
• Le Christ dépouillé de se vêtements (Christ Stripped of His Clothes)
• Ambroise Vollard, quatre esquisses (Ambroise Vollard, four sketches)
• Avocat parlant à sa cliente (Lawyer Talking to His Client)
• L'avocat pourchassé (The Lawyer Pursued)
• Suspension d'audience (Recess of the Hearing)
• a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso)
• a) Chimney Corner (recto); b) Two Figures (verso)
• On sonne! Si c'est l'Anglais d'hier maman tu t'en iras!
• a) Nurse and Child (recto); b) Man on Horseback (verso)
• Benediction a Lourdes
• Comedie Parisienne
• a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso)
• Children Looking over the Edge of a Crib
• Le cafe concert des reservistes
• Peur de Bourreau! Qu'est-ce que tu attends?...
• a) Lady and Gentleman in Evening Dress (recto); b) Sketch of Figure (verso)
• Farniente
• Nude on Rocks
• a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso)
• Marshal Petain
• a) Ludus pro Populo (recto); b) Head of a Man (verso)
• At an Evening Party
• To Each His Own
• Sur le canape
• Consolation
• Self-Portrait
• Avant la fête persanne
• Two Ladies in a Loge
• Elections Municipales
• Le Peril Anarchiste
• Projet de Voyage
• Before the Repast at Emmaus
• The Adulteress
• Men of Justice
• Defenseur et Accuse
• The Supper at Emmaus
• Elles étaient à lacets
• Celui qui tira sur Clémenceau
• a) Après Douai (After Douai) (recto); b) Figure (verso)
• Toward Peace
• a) C'est trop dangereux pres de votre ambulance (recto); b) Study of Mother and Children (verso)
• The End - Verdun
• L'union sous le drapeau
• a) C'etait notre maison (recto); b) Refugees in a Landscape (verso)
• Debout, les Morts!
• Le train de Berne (The Train for Berne)
• a) Le replis boche (recto); b) Sketch for the Figure of the German (verso)
• a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso)
• Le demobilise
• En esclavage dans le Nord
• German Raid on a Village
• a) La Guerre sous-Marine. L'ecole des Neutres (recto); b) Study of La Guerre sous-Marine. L'ecole des Neutres (verso)
• a) Dead German Soldier (recto); b) Head of a Soldier (verso)
• En esclavage
• a) Bolo pacha (recto); Study for Bolo pacha (verso)
• Les chefs (The Chefs)
• Mother and Child Visited by Soldier in Hospital
• La Borne - Verdun (The End - Verdun)
• a) Les Allemandes sont partis (recto); b) Sketch of a Man (verso)
• Hiding the "louis"
• Sur la ligne de feu
• a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso)
• Poilu Acknowledging German Soldier
• a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso)
• a) Refugees (recto); b) No 2 (verso)
• Poilu and German Prisoners
• Discharged from Military Service
• Reims 9bre 1918
• Sur le Rhin
• a) Au front de Vincennes, Bolo pacha (recto); b) Sketch for Au front de Vincennes, Bolo pacha (verso)
• Soldiers Preparing a Meal
• Refugees
• Le demobilisé
• a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso)
• The Taking of Fort Douaumont
• Two Soldiers Looking at a Placard
• German Advance
• a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso)
• Sur le Rhin. -maintenant c'est l'arriere.
• a) Kammerade. Porquoi cette froideur? (recto); b) Study for German Figure (verso)
• Le pas de l'oie - dans le sang
• A Versailles. L'envoye des boches
• The Hats of the Allies [recto]
• Hiding the "louis" [verso]
• Ceux de la priemiere heure. "Sire! ou en somme-nous de la guerre fraiche et joyeuse!"
• Les notables
• Sur le Front. -C'est sa theorie? -Non, c'est son breviaire.
• Au Pireê. -Le depart des boches.
• Quand le boche se retire...
• En 1871
• Au fil de la marne
• Au Front de Vincennes, Bolo pacha
• Two Soldiers
• The Hat of Marshall Foch
• a) Two French Soldiers near a Notice Board (recto); b) Nursemaid and Children with Horse or Donkey (verso)
• Nach Paris. -moi aussi, chai des enfants
• En somme ca n'est que du "materiel humain."
• Noyon
• Bredouilles, l'Equipage d'un Zeppelin
• Ceux de la priemiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?..."
• a) At the Conference (recto); b) Reclining Figure (verso)
• a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso)
• a) Fetters (recto); b) Sketch for Fetters (verso)
• Le démobilisé
• a) German Soldiers and French Child (recto); b) Woman and Child (verso)
• Woman and Two Children with German Soldiers
• -Am Rhien? -Ya.
• a) Fetters (recto); b) Several Figures (verso)
• La retour (The Return)
• Au front de Champagne - Les dernieres prieres
• Choisissez vos chambres
• Le depart pour Versailles
• Rassurez vous; je suis gauché.
• L'attaque d'une "place forte" anglaise
• French Soldier Addressing Germania
• German Advance
• During the Armistice
• -Qu'est-ce vous voulez? -Les "louis" de 1871
• Poilu Acknowledging German Soldier
• L'heure des gothas
• Grace!
• News in the Trenches
• a) Versailles juillet. La Germania signe... (recto); b) Sketch for Figure of Germania (verso)
• Ceux de la premiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ..."
• A Versailles juillet 1919
• Prussian Soldier and Civilians
• a) After Douai (recto); b) Untitled (verso)
• Lost Illusions
• After Douai
• The Departure for Versailles
• Le retour du permissionnaire. -Tu Tombes a pie!
• a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso)
• a) Along the Marne (recto); b) Study for Along the Marne (verso)
• Germania before the Judges
• The Empire Destroys, The Republic Pays
• Toward Peace
• C'est la, que j'ai fini le cure
• a) In the Trenches (recto); b) Study for In the Trenches (verso)
• Poilu and Tommy Conversing
• Hospital Scene
• 7me 1914
• a) Two Soldiers in a Trench (recto); b) Interior with Figures Seated Behind Table (verso)
• a) -Un farman? -non, c'est un boche. (recto); b) Sketch of Figure (verso)
• Toward Justice
• Lost Illusions
• The Economic Withdrawal
• Toward Peace
• Hiding the "louis"
• The Objective of War
• a) Le Poilu et Prisonnier (Poilu and Prisoner) (recto); b) Study of Prisoner (verso)
• Voilà le Moment de le chantes tun "Wacht am Rhein"
• Le Front de Vincennes
• Versailles, 28 Juin
• Pour l'homme de demain
• Les Nuits de Paris
• La Defaillance Russe
• A la Conference de la Paix
• Lourdes, 1914, 25th International Eucharistic Congress
• Lourdes, 1914, 25th International Eucharistic Congress
• Lourdes, 1914, 25th International Eucharistic Congress
• Lourdes, 1914, 25th International Eucharistic Congress
• First Exhibition of the Humorists, Palace of Style
• First Exhibition of the Humorists, Palace of Style
• First Exhibition of the Humorists, Palace of Style
• "1er Salon des Humoristes, Palais des Modes (First Exhibition of the Humorists, Palace of Style)
• Servir (To Serve)
• Servir (To Serve)
• Le Bon Feu (The Good Fire)
• Apres l'attentat, Juin '97
• At the Peace Conference
• a) Au congres de la Paix (recto); b) Untitled (verso)
• A Versailles juillet 1919
• À la conférence (At the Conference)
• a) Negotiations at the Trianon Palace, Versailles (recto); b) Study for Negotiations at the Trianon Palace, Versailles (verso)
• La France attend (France Waits)
• France Watching
• M. Clemenceau. La lettre du Cte Czernin
• C'est la Paix. Tu vois pas un kepi!
• Behind the Scenes
• The Stockade
• The Petitioner
• J.-K. Huysmans
• La noed de cravate (Knotting the Cravat)
• The Petition
• The Requisition
• a) Standing Woman with a Fan (recto); b) Study of a Man and Woman (verso)
• The Race Track
• The Artist's Wife Fishing
• Young Woman Seated at a Piano [recto]
• Young Woman Seated at a Piano [verso]
• Une Journée parlementaire
• Maison close (planche refusée) (Bordello) (refused plate)
• Le Poilu (French Soldier Writing Home)
• Christ at Emmaus
• The Races at Longchamp
• In the Wings
• Le Traite des blanches (The White Slave Trade)
• Le Cafe
• Scène d'audience (les deux avocats) (Scene of a Hearing (The Two Lawyers))
• An Idyll
• Soldier in a Trench (recto) Reclining Woman (verso)
• Seated Nude
• Reclining Woman (verso)
• Soldier in a Trench (recto)
• Ava Mendelsohn
• In the Hospital (recto) Sketch for In the Hospital (verso)
• Sketch for In the Hospital (verso)
• Figures in a Landscape (verso)
• Woman Entering a Fiacre (recto); Right Profile of Man Wearing Tall Hat (verso)
• Woman Entering a Fiacre (recto)
• In the Hospital (recto)
• Devastated Land (recto)
• Devastated Land (recto); Figures in a Landscape (verso)
• Temoins à l'audience
• The Suicide
• At Versailles, July 1919
• Two Figures on a Road (verso)
• L'Avocat Parlant au prevenu
• "They Are Burning Everything - They must be about to Retreat"
• Reconquered Territory (recto)
• "The German troups received the formal order to spare private property"
• The Miracle at Lourdes
• The Man Who Fired upon Clemenceau
• Reconquered Territory (recto) Two Figures on a Road (verso)
• The Slavery in the North
• The Germans Have Gone Away
• Figure Sketches (verso)
• It Was Our House
• The Client
• Avant le repas à Emmaus
• Calvary
• Courtesan (recto)
• If they had been victorious - "You Have Two Hours in which to Sign"
• There is corn in the sea!
• Le Decavé
• At the Restaurant
• Court Recess
• Sortie de l'Audience
• Pierre Auguste Renoir
• Ambroise Vollard
• Reading of the Barrister's Brief
• Madonna and Children
• The Walker
• Portrait of Renoir, Third Plate
• The Café of the New Athens
• Bal Gavarni Fan
• Pietà (third plate)
• Before the Supper at Emmaus
• Woman Seated
• Study of a Seated Woman
• The Miracle before the Blessed Sacrament
• In Greece
• Rest on the Flight into Egypt
• Courtesan (recto) Figure Sketches (verso)
• Seated Nude Woman from the Back
• Cafe Scene
• Chez l'Huissier
• Prisoner of War Writing a Letter
• At the Stock Exchange
• Instructions for the Day
• Encounter Under the Vault
• Right Profile of Man Wearing Tall Hat (verso)

Lindy Arts